Holert, Tom. “Burden of Proof: Contemporary Art and Responsibility” in Artforum, March 2013, pp. 251-59.

Tags: Art Criticism, Contemporary Art, Middle East and North Africa, North America Related posts Thompson, Nato. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, MA: MIT Press, 2012. (0) Thompson, Nato, Gregory Sholette, Joseph Thompson, Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. The Interventionists: Users’ Manual for the […]

Helmy, Mohammed M., and S. Freirichs. “Stripping the Boss: The Powerful Role of Humor in the Egyptian Revolution 2011.” Integrative Psychological and Behavioral Science 47, no. 4 (2013): 450-81.

Tags: Africa, Humor, Middle East and North Africa, Protest, Revolution, Social Change Related posts wa Thiong’o, Ngugi. “Enactments of Power: The Politics of Performance Space,” TDR 41.3, pp. 11-30. 1997. (0) Vacarro, Jeanne. “Give Me an F: Radical Cheerleading and Feminist Performance.” Women and Performance: A Journal of Feminist Theory Vol. 14, Issue 2. pp. […]

Downey, Anthony. “Saadiyat and the Gulf Labor Boycott.” Ibraaz, May 2013.

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Bilal, Wafaa, and Kari Lydersen. Shoot an Iraqi: Art, Life, and Resistance Under the Gun. San Francisco: City Lights, 2008.

Tags: Community Building, Contemporary Art, Middle East and North Africa Related posts Thompson, Nato. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, MA: MIT Press, 2012. (0) Thompson, Nato, Gregory Sholette, Joseph Thompson, Nicolas Mirzoeff, C. Ondine Chavoya, Arjen Noordeman, and Massachusetts Museum of Contemporary Art. The Interventionists: Users’ Manual for the Creative Disruption […]